Nearly two decades after its inception as a workshop at the ACM Conference on
Human Factors in Computing Systems, NIME exists as an established international
conference significantly distinct from its precursor. While this origin story
is often noted, the implications of NIME’s history as emerging from a field
predominantly dealing with human-computer interaction have rarely been
discussed. In this paper we highlight many of the recent – and some not so
recent – challenges that have been brought upon the NIME community as it
attempts to maintain and expand its identity as a platform for
multidisciplinary research into HCI, interface design, and electronic and
computer music. We discuss the relationship between the market demands of the
neoliberal university – which have underpinned academia’s drive for innovation
– and the quantification and economisation of research performance which have
facilitated certain disciplinary and social frictions to emerge within
NIME-related research and practice. Drawing on work that engages with feminist
theory and cultural studies, we suggest that critical reflection and moreover
mediation is necessary in order to address burgeoning concerns which have been
raised within the NIME discourse in relation to methodological approaches,
diversity and inclusion', accessibility’, and the fostering of rigorous
interdisciplinary research.

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