In this paper we introduce the word “fresco” to denote a
primitive monogenic geometric (a,b)-module. The study of this
“basic object” (generalized Brieskorn module with one generator) which
corresponds to the minimal filtered (regular) differential equation satisfied
by a relative de Rham cohomology class, began in [B.09] where the first
structure theorems are proved. Then in [B.10] we introduced the notion of theme
which corresponds in the \ primitive case to frescos having a
unique Jordan-H{"o}lder sequence. Themes correspond to asymptotic expansion of
a given vanishing period, so to the image of a fresco in the module of
asymptotic expansions. For a fixed relative de Rham cohomology class (for
instance given by a smooth differential form closed and closed) each
choice of a vanishing cycle in the spectral eigenspace of the monodromy for the
eigenvalue \ \ produces a \ primitive theme,
which is a quotient of the fresco associated to the given relative de Rham
class itself. The first part of this paper shows that, for any
primitive fresco there exists an unique Jordan-H{"o}lder sequence
(called the principal J-H. sequence) with corresponding quotients giving the
opposite of the roots of the Bernstein polynomial in a non decreasing order.
Then we introduce and study the semi-simple part of a given fresco and we
characterize the semi-simplicity of a fresco by the fact for any given order of
the roots of its Bernstein polynomial we may find a J-H. sequence making them
appear with this order. Then, using the parameter associated to a rank \ 2 \
primitive theme, we introduce inductiveley a numerical invariant,
that we call the \ invariant, which depends polynomially on the
isomorphism class of a fresco (in a sens which has to be defined) and which
allows to give an inductive way to produce a sub-quotient rank \ 2 \ theme of a
given \ primitive fresco assuming non semi-simplicity. In the last
section we prove a general existence result which naturally associate a fresco
to any relative de Rham cohomology class of a proper holomorphic function of a
complex manifold onto a disc. This is, of course, the motivation for the study
of frescos.

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